Melancholia
"Ich steh mit einem Fuß im Grabe"
(I am standing with one foot in the grave),
Thursday, September 11, 2014
Tuesday, September 9, 2014
Nico - rare NZ interview (1985)
Published on Dec 17, 2013
Germanic ice queen and musical icon Nico possessed a mesmerising presenc,e both onstage and off as seen in this rare interview conducted during her short 1985 New Zealand tour down under.
Category
License
- Standard YouTube License
Ben-Fong Torres & Jim Morrison 1971 Interview
Published on Dec 3, 2012
Recording Date: February 1971
Interview Location: Diane Gardiner's Apartment - Los Angeles, CA
Publication: Rolling Stone # 77 - March 4th - 1971
Length: 73:43
Info:
Jim Morrison's last known recorded interview is conducted by Rolling Stone journalist Ben Fong-Torres and features Pamela Courson. This tape was made unintentionally after a chance meeting at Diane Gardiner's apartment in Los Angeles. The interview is later used in the March 3th, 1971 issue of Rolling Stone (Ben-Fong Torres "Jim Morrison's Got The Blues" © Straight Arrow Pubishers Inc.1996)
Ben Fong-Torres: - "Working for Rolling Stone, I used to pop into Hollywood on a regular basis. Sometimes I stayed at the apartment of a rock publicist friend, Diane. One of her neighbors was Pamela Courson - Jim Morrison's old lady. One February afternoon in 1971, Jim came around, looking for Pamela. She wasn't there, so he decided to hang out & wait. When Diane introduced us, I asked for an interview. He and I hit it off right away, and got into doing this parody of a TV talk show. I played Dick Cavett; he was a rock star. He told a couple of jokes so risque that they would have gotten Cavett canned, and then, with my cheap cassette recorder running, we settled into a pretty serious chat about the Doors and the blues; the future of rock, and his own future. Despite his reputation as a wild man; despite his busts for obscenity and for exposing himself on stage, Morrison had struck me, in published interviews, as a smart, thoughtful guy. Maybe he wasn't quite the poet and artiste he fancied himself to be, but at least he was playing with the conventions of rock, performance, and theater. He was at home on the edge. Jim was planning to move to Paris within weeks, and this turned out to be his last interview before his departure in March. In July, I was in Hollywood again - visiting with his friends and associates, and writing his obitu."
**************************************** ****
JIM MORRISON-By Ben Fong-Torres.
When I bumped into Jim Morrison in West Hollywood in early 1971, I had no idea that we'd wind up doing the last interview he'd ever give to an American publication.
The bump-in took place at an apartment building where a publicist friend, Diane Gardiner, lived. One of her neighbors was Pamela Courson, who, despite Morrison's liaisons with various other women, considered herself his main companion. One February afternoon, Jim came by, looking for Pamela. She wasn't home, so he came downstairs to Gardiner's apartment, where I was visiting.
I hadn't met Morrison before, and soon after Diane introduced us, I asked for an interview. He had nothing better to do, he said, and I grabbed my cassette recorder.
And then things got weird. For some reason, he was feeling playful. Having done no research, and with no questions in mind, I was happy to play along. We decided to pretend as though we were doing a talk show on TV, and he kicked things off with a decidedly lewd riddle or two.
While he joked, I searched through my memory for the latest news on Morrison's never-dull life, and we settled into a pretty serious interview. He got into it enough that when Pamela showed up, he continued with our conversation, one that turned out to be his last with the press before he left, in March, for Paris.
Four months after settling into Paris with Pamela, Jim Morrison died, and I was dispatched to Hollywood to write his obituary. A few non-stop days and nights later, the article was complete, except for a headline. Jim had considered himself as serious a poet as he was a rock musician and stage performer. By and large, his poetic interests had been dismissed. In fact, one reason Morrison gave for going to France was that the people there would give him his poetic due.
**************************************** ***************************************
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for fair use & for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. Copyrighted materials contained herein belong to their respective copyright holders, I do not claim ownership over any of these videos.
Publication: Rolling Stone # 77 - March 4th - 1971
Length: 73:43
Info:
Jim Morrison's last known recorded interview is conducted by Rolling Stone journalist Ben Fong-Torres and features Pamela Courson. This tape was made unintentionally after a chance meeting at Diane Gardiner's apartment in Los Angeles. The interview is later used in the March 3th, 1971 issue of Rolling Stone (Ben-Fong Torres "Jim Morrison's Got The Blues" © Straight Arrow Pubishers Inc.1996)
Ben Fong-Torres: - "Working for Rolling Stone, I used to pop into Hollywood on a regular basis. Sometimes I stayed at the apartment of a rock publicist friend, Diane. One of her neighbors was Pamela Courson - Jim Morrison's old lady. One February afternoon in 1971, Jim came around, looking for Pamela. She wasn't there, so he decided to hang out & wait. When Diane introduced us, I asked for an interview. He and I hit it off right away, and got into doing this parody of a TV talk show. I played Dick Cavett; he was a rock star. He told a couple of jokes so risque that they would have gotten Cavett canned, and then, with my cheap cassette recorder running, we settled into a pretty serious chat about the Doors and the blues; the future of rock, and his own future. Despite his reputation as a wild man; despite his busts for obscenity and for exposing himself on stage, Morrison had struck me, in published interviews, as a smart, thoughtful guy. Maybe he wasn't quite the poet and artiste he fancied himself to be, but at least he was playing with the conventions of rock, performance, and theater. He was at home on the edge. Jim was planning to move to Paris within weeks, and this turned out to be his last interview before his departure in March. In July, I was in Hollywood again - visiting with his friends and associates, and writing his obitu."
****************************************
JIM MORRISON-By Ben Fong-Torres.
When I bumped into Jim Morrison in West Hollywood in early 1971, I had no idea that we'd wind up doing the last interview he'd ever give to an American publication.
The bump-in took place at an apartment building where a publicist friend, Diane Gardiner, lived. One of her neighbors was Pamela Courson, who, despite Morrison's liaisons with various other women, considered herself his main companion. One February afternoon, Jim came by, looking for Pamela. She wasn't home, so he came downstairs to Gardiner's apartment, where I was visiting.
I hadn't met Morrison before, and soon after Diane introduced us, I asked for an interview. He had nothing better to do, he said, and I grabbed my cassette recorder.
And then things got weird. For some reason, he was feeling playful. Having done no research, and with no questions in mind, I was happy to play along. We decided to pretend as though we were doing a talk show on TV, and he kicked things off with a decidedly lewd riddle or two.
While he joked, I searched through my memory for the latest news on Morrison's never-dull life, and we settled into a pretty serious interview. He got into it enough that when Pamela showed up, he continued with our conversation, one that turned out to be his last with the press before he left, in March, for Paris.
Four months after settling into Paris with Pamela, Jim Morrison died, and I was dispatched to Hollywood to write his obituary. A few non-stop days and nights later, the article was complete, except for a headline. Jim had considered himself as serious a poet as he was a rock musician and stage performer. By and large, his poetic interests had been dismissed. In fact, one reason Morrison gave for going to France was that the people there would give him his poetic due.
****************************************
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for fair use & for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. Copyrighted materials contained herein belong to their respective copyright holders, I do not claim ownership over any of these videos.
Category
License
- Standard YouTube License
Tony Thomas & Jim Morrison 1970 Interview
Published on Nov 14, 2012
Tony Thomas from the CBC interviews Jim Morrison
Los Angeles, California
May 27, 1970
In May 1970, while awaiting the Simon & Schuster publication of The Lords & The New Creatures, and attracted by the chance to talk intelligently about something other than the music scene, Jim Morrison agreed to a "literary" interview with Tony Thomas of the
Canadian Broadcasting Company. The interview took place at The Doors office in Los Angeles on May 27, 1970 and was partially aired on radio in Canada, but was never published.
**************************************** ***************************************
WMG owns the copyright to this material. This is strictly for entertainment
purposes only. No infringement of copyright intended.
**************************************** ***************************************
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for fair use & for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. Copyrighted materials contained herein belong to their respective copyright holders, I do not claim ownership over any of these videos.
Los Angeles, California
May 27, 1970
In May 1970, while awaiting the Simon & Schuster publication of The Lords & The New Creatures, and attracted by the chance to talk intelligently about something other than the music scene, Jim Morrison agreed to a "literary" interview with Tony Thomas of the
Canadian Broadcasting Company. The interview took place at The Doors office in Los Angeles on May 27, 1970 and was partially aired on radio in Canada, but was never published.
****************************************
WMG owns the copyright to this material. This is strictly for entertainment
purposes only. No infringement of copyright intended.
****************************************
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for fair use & for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. Copyrighted materials contained herein belong to their respective copyright holders, I do not claim ownership over any of these videos.
The Band The Last Waltz Complete Concert Part 1 Alternate Footage
Published on Apr 2, 2014
The Band The Last Waltz Full Concert Part 1 of 3 Alternate Footage
Part 2 http://youtu.be/5boo08FaGt4
Part 3 http://youtu.be/YiEWeaM-D78
1. Introduction / Up on Cripple Creek 0:00
2. Shape I'm In 5:55
3. It Makes No Difference 10:15
4. Life Is A Carnival 17:28
5. This Wheel's On Fire 22:51
6. The W.S. Walcott Medicine Show 27:26
7. Georgia On My Mind 31:20
8. Ophelia 35:05
9. King Harvest (Has Surely Come) 39:18
10. The Night They Drove Old Dixie Down 43:26
11. Stage Fright 48:16
12. Rag Mama Rag 53:23
13. Introduction / Who Do You Love (with Ronnie Hawkins) 57:26
14. Such A Night (with Dr. John) 1:02:45
15. Down South in New Orleans (with Dr. John) 1:07:58
16. Mystery Train (with Paul Butterfield) 1:13:23
17. Caledonia (with Muddy Waters) 1:18:27
18. Mannish Boy (with Muddy Waters) 1:26:20
Part 2 http://youtu.be/5boo08FaGt4
Part 3 http://youtu.be/YiEWeaM-D78
1. Introduction / Up on Cripple Creek 0:00
2. Shape I'm In 5:55
3. It Makes No Difference 10:15
4. Life Is A Carnival 17:28
5. This Wheel's On Fire 22:51
6. The W.S. Walcott Medicine Show 27:26
7. Georgia On My Mind 31:20
8. Ophelia 35:05
9. King Harvest (Has Surely Come) 39:18
10. The Night They Drove Old Dixie Down 43:26
11. Stage Fright 48:16
12. Rag Mama Rag 53:23
13. Introduction / Who Do You Love (with Ronnie Hawkins) 57:26
14. Such A Night (with Dr. John) 1:02:45
15. Down South in New Orleans (with Dr. John) 1:07:58
16. Mystery Train (with Paul Butterfield) 1:13:23
17. Caledonia (with Muddy Waters) 1:18:27
18. Mannish Boy (with Muddy Waters) 1:26:20
The Band - The Last Waltz (full album)
Uploaded on Feb 5, 2012
Side One
Theme from the Last Waltz (Concert Version)The Band
Up On Cripple Creek (Concert Version)The Band
Who Do You Love (Concert Version) [feat. Ronnie Hawkins]The Band
Helpless (Concert Version) [feat. Neil Young]The Band
Stagefright (Concert Version)The Band
Coyote (Concert Version) [feat. Joni Mitchell]The Band
Dry Your Eyes (Concert Version) [feat. Neil Diamond]The Band
It Makes No Difference (Concert Version)The Band
Such a Night (Concert Version) [feat. Dr. John]The Band
The Night They Drove Old Dixie Down (Concert Version)The Band
Mystery Train (Concert Version) [feat. Paul Butterfield]The Band
Mannish Boy (Concert Version) [feat. Muddy Water]The Band
Further On Up the Road (Concert Version) [feat. Eric Clapton]The Band
Side Two
The Shape I'm In (Concert Version)The Band
Down South In New Orleans (Concert Version) [feat. Bobby Charles]The Band
Ophelia (Concert Version)The Band
Tura Lura Lural (That's An Irish Lullaby) [Concert Version] {feat. Van Morrison}The Band
Caravan (Concert Version) [feat. Van Morrison]The Band
Life Is a Carnival (Concert Version)The Band
Baby Let Me Follow You Down (Concert Version) [feat. Bob Dylan]The Band
I Don't Believe You (She Acts Like We Never Have Met) [Concert Version] {feat. Bob Dylan}The Band
Forever Young (Concert Version) [feat. Bob Dylan] The Band
Baby Let Me Follow You Down (Reprise) [Concert Version] {feat. Bob Dylan}
I Shall Be Released (Finale) [Concert Version] {Ensemble}The Band
The Last Waltz Suite: The Well The Band
The Last Waltz Suite: Evangeline [feat. Emmylou Harris] The Band
The Last Waltz Suite: Out of the Blue The Band
The Last Waltz Suite: The Weight (feat. The Staples)The Band
The Last Waltz Suite: The Last Waltz Refrain The Band
The Last Waltz Suite: Theme from the Last Waltz (feat. Orchestra)The Band
The Last Waltz was a concert by the rock group The Band, held on American Thanksgiving Day, November 25, 1976, at Winterland Ballroom in San Francisco. The Last Waltz was advertised as the end of The Band's illustrious touring career, and the concert saw The Band joined by more than a dozen special guests, including Paul Butterfield, Eric Clapton, Neil Diamond, Bob Dylan, Emmylou Harris, Ronnie Hawkins, Dr. John, Joni Mitchell, Van Morrison, Ringo Starr, Muddy Waters, Ronnie Wood, Bobby Charles and Neil Young.
Theme from the Last Waltz (Concert Version)The Band
Up On Cripple Creek (Concert Version)The Band
Who Do You Love (Concert Version) [feat. Ronnie Hawkins]The Band
Helpless (Concert Version) [feat. Neil Young]The Band
Stagefright (Concert Version)The Band
Coyote (Concert Version) [feat. Joni Mitchell]The Band
Dry Your Eyes (Concert Version) [feat. Neil Diamond]The Band
It Makes No Difference (Concert Version)The Band
Such a Night (Concert Version) [feat. Dr. John]The Band
The Night They Drove Old Dixie Down (Concert Version)The Band
Mystery Train (Concert Version) [feat. Paul Butterfield]The Band
Mannish Boy (Concert Version) [feat. Muddy Water]The Band
Further On Up the Road (Concert Version) [feat. Eric Clapton]The Band
Side Two
The Shape I'm In (Concert Version)The Band
Down South In New Orleans (Concert Version) [feat. Bobby Charles]The Band
Ophelia (Concert Version)The Band
Tura Lura Lural (That's An Irish Lullaby) [Concert Version] {feat. Van Morrison}The Band
Caravan (Concert Version) [feat. Van Morrison]The Band
Life Is a Carnival (Concert Version)The Band
Baby Let Me Follow You Down (Concert Version) [feat. Bob Dylan]The Band
I Don't Believe You (She Acts Like We Never Have Met) [Concert Version] {feat. Bob Dylan}The Band
Forever Young (Concert Version) [feat. Bob Dylan] The Band
Baby Let Me Follow You Down (Reprise) [Concert Version] {feat. Bob Dylan}
I Shall Be Released (Finale) [Concert Version] {Ensemble}The Band
The Last Waltz Suite: The Well The Band
The Last Waltz Suite: Evangeline [feat. Emmylou Harris] The Band
The Last Waltz Suite: Out of the Blue The Band
The Last Waltz Suite: The Weight (feat. The Staples)The Band
The Last Waltz Suite: The Last Waltz Refrain The Band
The Last Waltz Suite: Theme from the Last Waltz (feat. Orchestra)The Band
The Last Waltz was a concert by the rock group The Band, held on American Thanksgiving Day, November 25, 1976, at Winterland Ballroom in San Francisco. The Last Waltz was advertised as the end of The Band's illustrious touring career, and the concert saw The Band joined by more than a dozen special guests, including Paul Butterfield, Eric Clapton, Neil Diamond, Bob Dylan, Emmylou Harris, Ronnie Hawkins, Dr. John, Joni Mitchell, Van Morrison, Ringo Starr, Muddy Waters, Ronnie Wood, Bobby Charles and Neil Young.
The Band - The band (Full Album 1969) (The Brown Album)
Published on Dec 26, 2013
1. Across the Great Divide 0:00
2. Rag Mama Rag 02:55
3. The Night They Drove Old Dixie Down 05:58
4. When You Awake 09:31
5. Up on Cripple Creek 12:45
6. Whispering Pines 17:18
7. Jemima Surrender 21:17
8. Rockin' Chair 24:49
9. Look Out Cleveland 28:33
10. Jawbone 31:44
11. The Unfaithful Servant 36:06
12. King Harvest (Has Surely Come) 40:24
2. Rag Mama Rag 02:55
3. The Night They Drove Old Dixie Down 05:58
4. When You Awake 09:31
5. Up on Cripple Creek 12:45
6. Whispering Pines 17:18
7. Jemima Surrender 21:17
8. Rockin' Chair 24:49
9. Look Out Cleveland 28:33
10. Jawbone 31:44
11. The Unfaithful Servant 36:06
12. King Harvest (Has Surely Come) 40:24
Tuesday, September 2, 2014
Anna Netrebko - D'amor sull'ali rosee..Miserere...Tu vedrai (Berlin, 201...
Uploaded on Aug 29, 2011
Sommer nachtsmusik Concert
Anna Netrebko, Jonas Kaufmann, Erwin Schrott
Prague Philharmonic
Conductor: Marco Armiliato
Anna Netrebko, Jonas Kaufmann, Erwin Schrott
Prague Philharmonic
Conductor: Marco Armiliato
Here the soprano Anna Netrebko performans an amazing rendition of a scene from Verdi's "Il Trovatore". This really shows her amazing vocal growth in the last year. Her low notes have become stronger, she has developed a real trill, and her upper notes remain free and unstrained, plus her voice has gained in richness.
Category
License
- Standard YouTube License
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