Melancholia

"Ich steh mit einem Fuß im Grabe"


(I am standing with one foot in the grave),

Tuesday, February 18, 2014

Beethoven - Sonatas for Cello and Piano - Rostropovich and Richter




Published on Mar 24, 2013

 
Beethoven: Sonatas for Cello & Piano - Cello: Mstislav Rostropovich - Piano: Sviatoslav Richter, live from Edinburgh 1964. Sviatoslav Richter Born: March 20, 1915 - Zhitomir, Russia (in the territory of modern Ukraine) Died: August 1, 1997 - Moscow, Russia

Sviatoslav Richter was born in Zhitomir but grew up in Odessa. Unusually, he was largely self-taught although his organist father provided him with a basic education in music. Even at an early age, Richter was an excellent sight-reader, and regularly practiced with local opera and ballet companies. He developed a lifelong passion for opera, vocal and chamber music that found its full expression in the festival he established in Grange de Meslay, France. He started to work at the Odessa Conservatory where he accompanied the opera rehearsals. He gave his first recital in 1934 at the engineer club of Odessa but did not formally study piano until three years later, when he enrolled in the Moscow Conservatory, which waived the entrance exam for the young prodigy after it was clear he would not pass. He studied with Heinrich Neuhaus who also taught Emil Gilels, and who claimed Richter to be "the genius pupil, for whom he had been waiting all his life". In 1940, while still a student, he gave the world premiere of the Sonata No. 6 by Sergei Prokofiev, a composer with whose works he was ever after associated. He also became known for skipping compulsory political lessons at the conservatory and being expelled twice during his first year. Richter remained a political outsider in the U.S.S.R. and never joined the Party. Sviatoslav Richter met the soprano Nina Dorliak in 1945 when he accompanied her in a program that included songs by Nikolai Rimsky-Korsakov and Prokofiev. "This was the first meeting in an association that would last the rest of their lives. Richter and Dorliak were never officially married, but they were constant companions. She was the practical counterbalance to his impulsive nature. She would wind his watch for him, remind him of appointments, and manage his professional commitments" (Geffen 1999). In 1949 he won the Stalin Prize, which led to extensive concert tours in Russia, Eastern Europe and China. The West first became aware of Sviatoslav Richter through recordings made in the 1950's. He was not allowed to tour the USA until 1960, but when he did, he created a sensation, playing a series of sold-out concerts in Carnegie Hall. Touring, however, was not Richter's forté. He preferred not to plan concerts years in advance, and in later years took to playing on very short notice in small, often darkened halls, sometimes with only a small lamp lighting his piano. He died in Moscow while studying for a concert series he was to give.
Mstislav Leopoldovich Rostropovich, Born in Russia March 27, 1927 -- Died: April 27, 2007, was a Soviet and Russian cellist and conductor. He is considered by many to have been the greatest cellist of the second half of the 20th century, and one of the greatest of all time. In addition to his outstanding interpretations and technique, he was well known for both inspiring and commissioning new works, which enlarged the cello repertoire more than any cellist before or since. He gave the premieres of over 100 pieces, forming long-standing friendships and artistic partnerships with composers including Dmitri Shostakovich, Sergei Prokofiev, Henri Dutilleux, Witold Lutoslawski, Olivier Messiaen, Krzysztof Penderecki, Alfred Schnittke, Norbert Moret, Andreas Makris and especially Benjamin Britten. Rostropovich was internationally recognized as a staunch advocate of human rights, and was awarded the 1974 Award of the International League of Human Rights. He was married to the soprano Galina Vishnevskaya.
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Link: http://youtu.be/xL0izjsp8DA




Tuesday, February 11, 2014

Opium Eaters






 

 


 http://opioids.com/images/opiumden.jpg


 


 








Hanks Williams - The Very Best Of Hank Williams (Full Album)








01- 00:00 Your Cheatin' Heart
02- 02:39 Jambalaya (On The Bayou)
03- 05:29 I'm So Lonesome I Could Cry
04- 08:11 Hey Good Lookin'
05- 11:04 Kaw Liga
06- 13:33 Cold Cold Heart
07- 16:13 Help Me Understand
08- 19:04 Honky Tonk Blues
09- 21:12 I Saw The Light
10- 23:53 (I Heard That) Lonesom Whistle
11- 26:15 May You Never Be Alone
12- 29:00 Mansion On The Hill
13- 31:31 Moanin' The Blues
14- 33:50 Move It On Over
15- 36:32 My Son Calls Another Man Daddy
16- 39:02 Ramblin' Man
17- 42:00 Setting The Woods On Fire
18- 44:32 (There'll Be) No Teardrops Tonight
19- 47:16 Window Shopping
20- 49:45 You Win Again
21- 52:17 Lovesick Blues
22- 54:56 Take These Chains From My Heart


  • Category - Music

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Tuesday, February 4, 2014

Toot Blues Documentary









In the late 1980s, Timothy Duffy, a
penniless North Carolina musicology student, set out to document and
preserve traditional southern roots and blues music.  On his travels
from Winston-Salem's drinkhouse music scene, an off-the-grid hotbed of
gritty traditional blues, to deep-south family run churches, he found
purpose and inspiration from a cast of amazingly talented, pure and
unique set of characters (the artists!!).

Toot Blues remarkably
captures the true essence and talent of the artists from Guitar Gabriel,
a 'homeless magic potion selling' blues genius; to Willa Mae Buckner, a
snake charming elderly woman taunting delightfully raunchy blues; to
Beverly 'Guitar' Watkins, a grandmother who continues to tear up the
stage and play a killer electric guitar behind her head; to Bishop
Dready Manning and family churning out homebrewed rockabilly-gospel; to
Boo Hanks, an 80 year-old bluesman recording an album for the very first
time; to blind guitarist, Cootie Stark, mesmerizing crowds world-wide
while never failing to find his way home by himself.

Shortly after
befriending and championing for these artists Tim quickly realized the
limitations set upon them by living in poverty, not only in their
struggles to survive and support their families but also their ability
to afford time and outlets to continue with their deepest
passions-music, by a simple twist of fate, Tim along with his wife
Denise, began the Music Maker Relief Foundation.

With rare footage,
interviews, and numerous live performances, the film documents these
unique musicians, brought together through the Music Maker community and
their shared and vital musical heritage.

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    Standard YouTube License






 Link: http://youtu.be/vBILt-LEnp0