Melancholia

"Ich steh mit einem Fuß im Grabe"


(I am standing with one foot in the grave),

Thursday, January 29, 2015

Benny Carter Quartet Summer Serenade



Published on Oct 3, 2014
Summer Serenade
Tracklist :
01. Indiana - 00:00
02. Almost Like Being In Love - 05:12
03. Summer Serenade - 12:40
04. All That Jazz - 16:59
05. Blue Star - 22:07
06. When Lights Are Low - 30:18
07. Taking A Chance On Love - 36:25
Credits:
Benny Carter - Alto Saxophone
Kenny Drew - Piano
Jesper Lundgard - Bass
Ed Thigpen - Drums
Richard Boone - Vocal on All That Jazz
  • License - Standard YouTube License






Link: http://youtu.be/C2_kL-hnk3Y



 

Benny Carter-Earl Hines Quartet 1976



Barcelona, 1976
Benny Carter (as) Earl Hines (p) Harley White Jr. (b) Eddie Graham (d)
Courtesy of RTVE


Link: http://youtu.be/Ou6Q5zhY9NI

 

Wednesday, January 28, 2015

Benny Carter




Benny Carter.jpg

                                                                 Benny Carter


Background information
Birth nameBennett Lester Carter
Also known asKing
Born(1907-08-08)August 8, 1907
Harlem, New York, United States
DiedJuly 12, 2003(2003-07-12) (aged 95)
Los Angeles, California, United States
GenresSwing, big band, jazz
Occupation(s)Musician, bandleader, composer, musical arranger
InstrumentsSaxophone, trumpet, clarinet
Years active1920s–1997
LabelsColumbia, OKeh, Crown, Decca, Vocalion, Brunswick, Bluebird, Music Masters, Verve, United Artist, Norgran, Swingville, Clef
Associated actsBillie Holiday, Fats Waller, Ray Charles, Dizzy Gillespie, Oscar Peterson, Phil Woods, Marian McPartland
Websitewww.BennyCarter.com
 
Bennett Lester "Benny" Carter (August 8, 1907 – July 12, 2003) was an American jazz alto saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. He was a major figure in jazz from the 1930s to the 1990s, and was recognized as such by other jazz musicians who called him King. In 1958, he performed with Billie Holiday at the Monterey Jazz Festival.

The National Endowment for the Arts honored Benny Carter with its highest honor in jazz, the NEA Jazz Masters Award for 1986.  He was awarded the Grammy Lifetime Achievement Award in 1987, and both won a Grammy Award for his solo "Prelude to a Kiss" and received a star on the Hollywood Walk of Fame in 1994.  In 2000 awarded the National Endowment for the Arts, National Medal of Arts, presented by President Bill Clinton.








Benny Carter - A Gentleman And His Music

Benny Carter-alto saxophone
Joe Wilder-trumpet and flugelhorn
Scott Hamilton-tenor saxophone
Ed Bickert-guitar
Gene Harris-piano
John Clayton-bass
Jimmie Smith-drums.
Recorded at Coast Recorders,San Francisco,California,1985.
Concord Jazz,1985.
  • License - Standard YouTube License



Link: 
http://youtu.be/WOdXFD5coqo


 

Monday, January 26, 2015

Salli Terri

Salli Terri - unofficial homepage




discography | memories | Grammys




Salli C Terri was born September 3, 1922
and died May 5, 1996.

One of North America's finest singers, Salli
appeared as solo artist and arranger with
the Roger Wagner Chorale on many of
their recordings. She was with them when
they performed at the Coronation Festivities
of Queen Elizabeth II in London in 1953.

As well as recording many popular US folk
songs, she also sang on a highly regarded
series of albums by the Brazilian guitarist
Laurindo Almeida, including the Grammy
winning "Conversations with the Guitar".

discography + tracks / liner notes etc

some memories of those who knew her

Grammy nominations and awards
Salli Terri (1952)




Roger Wagner Chorale | Salli Terri (Wikipedia) | weed's home page


with thanks to Bill Bartlett, Bob Trenholm, Enda & Linda Bracken, Kerry Butt, Dave Conell, Frank Hamilton, Chris Sendrey, Shambora, Allen Stovall, Bill Thompson, Tom Turrittin, Mark Van Horne, Robin Vogsland and Malcolm Walker

and special thanks to Teresa Myers, daughter of producer Robert E Myers, for her enthusiastic help, support & encouragement, as well as the numerous contributions she has made, without which this page would barely exist photo sent in by Shambora (from the 1951/52 yearbook of the Meguro American School, Tokyo, Japan)

comments and contributions to weed@wussu.com
last revised 6 May 2014

URL http://www.salliterri.org/index.htm



 

Laurindo Almeida

Laurindo Almeida




The Artistry of Almeida


by John Tynan


There is nothing of the stereotyped conception of the virtuoso about classical guitarist Laurindo Almeida.

From the moment he entered the office on the 11th floor of Capitol Records' towering glasshouse one was impressed by his complete lack of aggressiveness. He communicated, rather, an air of quiet, almost humble, self-assurance.

The casualness with which he settled into the big leather chair, one felt, stemmed from an inner relaxation. Almeida, in fact, struck one as the epitome of natural, unself-conscious talent.



Link: http://www.salliterri.org/almeida.htm
 
down beat magazine cover, July 24 1958

Sunday, January 18, 2015

The Smog That Killed 12,000

London is known for its fog, so when a deadly smog hit the city in 1952, few people seemed to take a second look upward until residents began falling ill or een dying of respiratory problems. Eventually 12,000 people would die prematurely due to the phenomenon.

Though the smog was caused in part by the weather, it was turned toxic by manmade air pollution.


The Great Smog
    
       The Great Smog   
Twas a cold night on Dec. 5, 1952 when the smog rolled into town. The conditions — frigid temperatures, an anticyclone and little wind — to create a nearly impenetrable smog blanket over London. An anticyclone is the antithesis to a cyclone in which winds circulate around a central region of high atmospheric pressure. It sometimes creates fog as it did on that fateful night.

For the four days it lasted, the poisonous smog halted events in the city of London. Though the London Underground remained functioning (as it operates underground), public transportation including cars and ambulances stopped functioning. Concerts, movies and sporting events were all stopped abruptly. As witnesses tell it, the dense blanket allowed only a meter of eyesight in front of oneself with which to shuffle.


Oblivion
 

   
The smog came and went disappearing after four days of intensity on Dec. 9 due to yet another change in weather. In London, it was remarked upon for its thickness and also for its penetration of indoor areas. To history, it would seem that no one thought much about it after its passing, at least for the time being

Pea Soupers
   
One reason many Londoners were perhaps not fazed by the heavy smog settled on their cold city, was the frequency of other isolated fog events often called "pea soupers." The term equates the density of fog with the consistency of pea soup (apparently a popular English dish?). Caused by sulfur dioxide and the soot particles in air pollution, pea soupers are very similar to the smog that caused 12,000 deaths over the course of many years following the 'Big Smoke.' The difference was really one of degree.
 
Deaths   
After the smog dissipated in early December, medical reports began to notice premature deaths and illnesses caused in part by malevolent effects on the respiratory system. Putting two and two together, as doctors are trained to do, it was realized that the natural event had been lethal — killing 4,000 people in the first few weeks after its departure and causes sickness in at least 100,000 more.
 
Air Pollution   
How does the often green, sometimes yellow-ish poison seep high atmospheric pressures to wreck devastation? The smog that killed so many people after exposure was due in part to air pollution created by humans. Soot particles and sulfur dioxide, a poisonous gas, were released into the atmosphere (active with the creation of anticyclone) by the standard burning of soft coal in homes for heating and manufacturing purposes. The effects were disastrous.
 
12,000 Deaths    
Though the death count by 1953 was near 8,000, more recent findings have shown that the toll is actually closer to 12,000 in all. Many of the deaths were caused by respiratory tract infections caused by obstruction of airways by present pus from affected lungs. Lung infections, including specific types bronchopneumonia or bronchitis, were also common.
 
Environmental Impact  
Obviously, the residents and government of London were none too happy about the deaths of its citizenry, nor with the environmental implications of the smog. Several coal burning limitations were enacted — the City of London Act of 1954 and the Clean Air Acts of 1956 and 1968. The acts provided incentives for homeowners to use alternatives to coal burning, which did help decrease the amount of air pollution, though not enough to prevent future smog events from taking place.
 
The Smog Of 1962
          
Exactly 10 years after the first great smog devastated the city, a second one crept in in 1962. Again, the city was shut down for a few days. In the first three, 90 people passed, 235 were admitted to an area hospital and cases of pneumonia as far as Glasgow tripled (or as the English say, 'trebled'). Despite clean air laws, London was still in smog.
 
Shanghai Smog      
If air pollution and rates of sulfur dioxide levels were high enough to kill 12,000 people 62 years ago, imagine the damage they could do today. Unfortunately, you don't have to imagine. In January of 2013, a similar smog event took place in East China, centered in Shanghai. About 600 million people were affected by the event in some way. Separate that one event, air pollution is still the fourth leading cause of death in China. Catastrophic smog events continue to happen throughout the world.
 


Source: http://www.earth-pics.com/gallery/10most/the-smog-that-killed-12-000-?ref=epwebsite


 

Paul McCartney and Mick Jagger together

Embedded image permalink
 
ClassicPics@History_Pics ·
 
Paul McCartney and Mick Jagger on a train, 1967.
 
 
 
 
 

Jimi Hendrix burns his guitar

Embedded image permalink
Jimi Hendrix burns his guitar at the Monterey International Pop Festival, 1967.
 
 
 
 

Monday, January 12, 2015

Robert Crumb - LA Review of Books

Harvey Pekar



Uploaded on Jul 9, 2009
Called the Mark Twain of comic books, Harvey Pekar, author of the graphic novel American Splendor, talks about his life and the future of his expanding and evolving medium. The program also includes a feature on a graphic novel exhibition at Penn State.
  • Category    News

  • License    Standard YouTube License



Source: http://youtu.be/spEdiH6fh7A


 

Ben Heppner Opera Gems


Some featured performers:

Juan Diego Flórez Salom (born January 13, 1973)  is a Peruvian operatic tenor, particularly known for his roles in bel canto operas.


Judith Doris Forst is a Canadian dramatic mezzo-soprano
ranked among Lois Marshall, Maureen Forrester, Teresa Stratas, Jon Vickers, Richard Margison and Ben Heppner in her achievement. She is known around the world for the musical integrity and dramatic intensity of her performances.


Karita Mattila, soprano

"...the most electrifying singing actress of our day, the kind of performer who renews an aging art form and drives the public into frenzies." (Musical America, Musician of the Year Award 2005)
Winner of the first 'Singer of the World' competition in Cardiff, Karita Mattila is one of the most illustrious soprano singers in the world today. She is recognised as much for the beauty and versatility of her lyric voice as for her extraordinary stage ability.

Under such conductors as Claudio Abbado, James Levine, Sir Simon Rattle and Esa-Pekka Salonen, she sings in all the major opera houses and festivals of the world performing repertoire which encompasses Mozart, Strauss, Tchaikovsky, Verdi, Puccini, Wagner and Janácek.

Her affinity with the dramatic side of opera has produced marvellous results when working with fine stage directors such as Luc Bondy who helped her to achieve a remarkable performance in his highly acclaimed Don Carlos, seen in Paris, London and at the Edinburgh Festival. Likewise, Lev Dodin in his productions of Elektra for the Salzburg Easter Festival and Pique Dame and Salome at the Opera Bastille, Peter Stein for his production of Simon Boccanegra in Salzburg, Robert Carsen in his production of Lohengrin at the Bastille and Jürgen Flimm for his Fidelio in New York.






Source:





Sunday, January 11, 2015

Success need not be illusive


There are no secrets to success. It is the result of preparation, hard work, and learning from failure.

« The comic and the tragic lie inseparably close, like light and shadow. » Socrates

"You leave old habits behind by starting out with the thought, 'I release the need for this in my life'." 
~ Wayne W. Dyer

.





Dick Cavett on Booze


Sonny Terry & Brownie McGee - Midnight Special

Miles Davis - Kind of Blue





Kind of Blue: The album that changed jazz

7 January 2015 Last updated at 00:05 GMT
In 1959 jazz legend Miles Davis released Kind of Blue, an album that was to change the face of jazz forever.
Consistently voted one of the most influential albums of all time by critics and fans, Kind of Blue charted a completely new direction for Davis, and jazz.
Bored with traditional jazz's chord-based "be-bop" style, Miles Davis embraced a radically different approach to playing, so-called "modal" jazz.
Rather than improvising around a tune's chords, tracks were built around scales allowing the players to improvise in almost limitless combinations.
Jimmy Cobb was the drummer on the album. He spoke to Witness about those historic recording sessions.




Thursday, January 8, 2015

Mark Ronson - Uptown Funk ft. Bruno Mars

Billie Holiday & Her Orchestra - Body And Soul (Verve Records 1957)

Uploaded on Jul 27, 2011

"Body and Soul" is a popular jazz song featured on Billie Holidays album with the same title. "Body and Soul" was written in New York City for the British actress and singer Gertrude Lawrence. It was first performed in London by her. It was first published in England. Libby Holman introduced it in the U.S. in the 1930 Broadway revue Three's a Crowd. Louis Armstrong was the first jazz musician to record "Body and Soul". The tune grew quickly in popularity, and by the end of 1930 at least eleven groups had recorded it. "Body and Soul" remains a jazz standard, with hundreds of versions performed and recorded by dozens of artists.

Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz singer and songwriter. Nicknamed "Lady Day" by her friend and musical partner Lester Young, Holiday had a seminal influence on jazz and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo.

In Harlem she started singing in various night clubs. Holiday took her professional pseudonym from Billie Dove, an actress she admired, and the musician Clarence Holiday, her probable father. At the outset of her career, she spelled her last name "Halliday," the birth-surname of her father, but eventually changed it to "Holiday," his performing name. The young singer teamed up with a neighbor, tenor sax player Kenneth Hollan. From 1929 to 1931, they were a team, performing at clubs such as the Grey Dawn, Pod's and Jerry's on 133rd Street, and the Brooklyn Elks' Club. Benny Goodman recalled hearing Holiday in 1931 at The Bright Spot. As her reputation grew, Holiday played at many clubs, including Mexico's and The Alhambra Bar and Grill where Charles Linton, a vocalist who later worked with Chick Webb, first met her. It was also during this period that she connected with her father, who was playing with Fletcher Henderson's band.

By the end of 1932 at the age of 17, Billie Holiday replaced the singer Monette Moore at a club called Covan's on West 132nd Street. The producer John Hammond, who loved Monette Moore's singing and had come to hear her, first heard Holiday in early 1933. Hammond arranged for Holiday to make her recording debut, at age 18, in November 1933 with Benny Goodman, singing two songs: "Your Mother's Son-In-Law" and "Riffin' the Scotch," the latter being her first hit. "Son-in-Law" sold 300 copies, but "Riffin' the Scotch," released on November 11, sold 5,000 copies. Hammond was quite impressed by Holiday's singing style. He said of her, "Her singing almost changed my music tastes and my musical life, because she was the first girl singer I'd come across who actually sang like an improvising jazz genius." Hammond compared Holiday favorably to Armstrong and said she had a good sense of lyric content at her young age.

In 1935, Billie Holiday had a small role as a woman being abused by her lover in Duke Ellington's short Symphony in Black: A Rhapsody of Negro Life. In her scene, she sang the song "Saddest Tale."

Billie's accompanied by Ben Webster (Tenor Sax); Barney Kessel (Guitar); Harry "Sweets" Edison (Trumpet); Jimmy Rowles (Piano); Red Mitchell (Bass); and Larry Bunker (Drums). Recorded January 7th, 1957 (20507-1).

Tony Bennett recorded the classic pop standard Body And Soul, with Amy Winehouse at Abbey Road Studios in London March, 2011. The duet proceeds will be donated to her charity "The Amy Winehouse Foundation."

One of the most famous and influential takes was recorded by Coleman Hawkins and His Orchestra on October 11, 1939, at their only recording session for Bluebird, a subsidiary of RCA Victor. The recording is unusual in that the song's melody is only hinted at in the recording; Hawkins' two-choruses of improvisation over the tune's chord progression constitute almost the entire take. Because of this, as well as the imaginative use of harmony and break from traditional swing cliches, the recording is recognised as part of the "early tremors of bebop". In 2004, the Library of Congress entered it into the National Recording Registry

To this day, "Body and Soul" is the most recorded jazz standard.

My days have grown so lonely
For you I cry, for you dear only
Why haven't you seen it
I'm all for you body and soul

I spend my days in longin'
I'm wondering why it's me you're wronging
I tell you I mean it
I'm all for you body and soul

I can't believe it
It's hard to conceive it
That you'd throw away romance
Are you pretending
It looks like the ending
Unless I can have one more chance to prove, dear

My life a hell you're making
You know I'm yours for just the taking
I'd gladly surrender
Myself to you body and soul

What lies before me
A future that's stormy
A winter that's gray and cold
Unless there's magic the end will be tragic
And therefor a tale that's been told so often

My life revolves about you
What earthly good am I without you
Oh I tell you I mean it
I'm all for you body and soul







Wednesday, January 7, 2015

Coleman Hawkins - 1939 Body and Soul

Published on Sep 9, 2014

This music belongs in every serious jazz collection.



00:00 Meet Doctor Foo 2:32

02:32 Fine Dinner 2:33

05:05 She's Funny That Way 3:14

08:19 Body and Soul 3:00

11:19 When Day Is Done 3:15

14:34 The Sheik of Araby 2:56

17:30 My Blue Heaven 2:46

20:16 Bouncing with Bean 3:03

23:19 Say It Isn't So 2:57

26:16 Spotlite 3:06

29:22 April in Paris 3:06

32:28 How Strange 3:02

35:30 Half Step Down, Please 3:02

38:32 Angel Face 3:12

41:44 There Will Never Be Another You 2:57

44:41 The Bean Stalks Again 3:24

48:05 Body and Soul 4:51

52:56 I Love Paris 3:30

56:26 Under Paris Skies 2:45



review by Scott Yanow



In 1939, Hawkins returned to the U.S. after five years in Europe, and it took him very little time to reassert his prior dominance as king of the tenors. This set starts off with the session that resulted in Hawk's classic version of Body and Soul, teams him with Benny Carter (on trumpet) for some hot swing (including a memorable rendition of My Blue Heaven), and then finds Hawkins using younger musicians (including trumpeter Fats Navarro and trombonist J.J. Johnson) on some advanced bop originals highlighted by Half Step Down Please. The remainder of this set is also good, but less historic, with Hawkins being well-showcased with three larger groups in 1956, culminating in a remake of Body and Soul. .



An Italian recipe: food and Opera. Stir slowly.

Published on May 1, 2012

Broadcast on BBC HD, Mon 23 Apr 2012. Chef Rick Stein takes a light-hearted look at the role that food played in the creation of Italian opera and shows how music and food are intrinsically linked in Italy. He draws parallels between cooking and composing, noting how both involve the skilful combination of ingredients and how they share the common purpose of bringing pleasure to many. Rick also explains why he thinks the music of Verdi, Rossini and Puccini are linked to the food of the regions where they lived and worked. Rick Stein's Food of the Italian Opera is part of a major new collection of programmes across the BBC celebrating opera through the eyes of the world's leading singers, conductors, directors and opera enthusiasts.
  • Music

    • "Verdi: Overture to "La forza del destino"" by The Royal Festival Orchestra, Conducted By William Bowles (Google Play • eMusic)
  • Artist

  • Category

  • License

    • Standard YouTube License







Saturday, January 3, 2015

John Lee Hooker graffiti.



In Dallas you can find some really good looking street art, like this amazing John Lee Hooker graffiti.
Photo by crowt59


Source: http://www.thecitypictures.net/america/united-states-of-america/dallas/john-lee-hooker/



Eric Church - Smoke A Little Smoke


"Smoke A Little Smoke"
Turn the quiet up, turn the noise down
Let this ol' world just spin around
I wanna feel it swing, wanna feel it sway
And put some feel good in my soul
Drink a little drink, smoke a little smoke

Want a little more right, and a little less left
Little more right now, a little less what's next
Act like tomorrow's ten years away
And just kick back and let the feelin' flow
Drink a little drink, smoke a little smoke

I set my sails for a new direction
But the wind got in my way
I changed my course
But my definition of change
Just ain't the same

I'm gonna sit right here
Stay away from there
I'm gonna make pretend
I just don't care
And I could get up
Go get her back
Or maybe I'll just let her go
Drink a little drink, smoke a little smoke

Drink a little drink, smoke a little smoke

Kick back, gives the blues a spin
Break out the wine, forget again
Dig down deep, find my stash
Light it up, take me back

Kick back, gives the blues a spin
Break out the wine, forget again
Dig down deep, find my stash
Light it up, memory crash

Oh no, I don’t know
Baby, it might take, all night
Then I’ll maybe break out that old rock and roll
Drink a little drink, smoke a little smoke






Friday, January 2, 2015

Andrew Duhon - Too Late



Link: http://youtu.be/i_wsISZg67w



ABOUT ANDREW







Andrew Duhon is a songwriter from New Orleans, a teller of stories with an undeniable voice, weighted and soulful. Duhon has released 3 recordings, the latest of which, ‘The Moorings’, was nominated for a Grammy in 2014 for ‘Best Engineered Album’. He has toured solo for much of his career, and that troubadour element is certainly present, an usher of modern day folklore. His latest group, The Andrew Duhon Trio brings a new musicality to the tunes with upright bassist, Myles Weeks and drummer ,Maxwell Zemanovic. Since recording ‘The Moorings’ together as their first project, the Trio has been crossing the American landscape, touring and creating together, the thoughtful colors of the trio breathing a new musicality and direction into Duhon’s songwriting traditions.




QWeb Page: http://andrewduhon.com/